All Videos Tagged sixties (iPeace.us) - iPeace.us 2024-05-06T21:04:24Z https://ipeace.us/video/video/listTagged?tag=sixties&rss=yes&xn_auth=no The Message of the Tibetans tag:ipeace.us,2008-10-20:2217368:Video:316596 2008-10-20T11:49:34.956Z Willem Amendt https://ipeace.us/profile/WillemAmendt <a href="https://ipeace.us/video/2217368:Video:316596"><br /> <img alt="Thumbnail" height="96" src="https://storage.ning.com/topology/rest/1.0/file/get/58245613?profile=original&amp;width=128&amp;height=96" width="128"></img><br /> </a> <br></br>The first film is entitled Buddhism, the second Tantrism. In 1963, for the first time, the Dalai Lama allowed a Westerner, Desjardins, to film the heart of the Tibetan tradition. These two films were originally shown on French television in the 1960's and are a wonderful testimony, revealing some of Tibet's foremost masters as they were then. It includes footage of Dilgo Khyentse Rinpoche, theā€¦ <a href="https://ipeace.us/video/2217368:Video:316596"><br /> <img src="https://storage.ning.com/topology/rest/1.0/file/get/58245613?profile=original&amp;width=128&amp;height=96" width="128" height="96" alt="Thumbnail" /><br /> </a><br />The first film is entitled Buddhism, the second Tantrism. In 1963, for the first time, the Dalai Lama allowed a Westerner, Desjardins, to film the heart of the Tibetan tradition. These two films were originally shown on French television in the 1960's and are a wonderful testimony, revealing some of Tibet's foremost masters as they were then. It includes footage of Dilgo Khyentse Rinpoche, the Sixteenth Karmapa, Dudjom Rinpoche, Ling Rinpoche, Chatral Rinpoche, Sakya Trizin, and the yogis Abo Rinpoche and Lopon Sonam Zangpo. The original sixties commentaries have been retained, even though it may sound a bit dated in places.<br /> <br /> "These portraits of the legendary Tibetan masters are not simply a unique historical record, not only a stunning and moving inspiration for now and for the future, but an extraordinary testimony, a treasure." Sogyal Rinpoche.