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Mevlana Jalaluddin Rumi

Location: Planet Earth
Members: 60
Latest Activity: Mar 13, 2012

I love myself...I love you.... I love you....I love myself...

A lover asked his beloved,

Do you love yourself more than you love me?

Beloved replied, I have died to myself and I live for you.

I've disappeared from myself and my attributes,

I am present only for you.

I've forgotten all my learnings,

but from knowing you I've become a scholar.

I've lost all my strength, but from your power I am able.

I love myself...I love you.

I love you...I love myself.

By Rumi

Discussion Forum

RUMI - A poet of peace!

Started by jussara riveros. Last reply by jussara riveros Jan 18, 2012. 4 Replies

Desire and the Importance of Failing by Rumi

Started by ♥ Sara ♥ Raleiah ♥ Jan 4, 2011. 0 Replies

I am your mirror!

Started by Deniz Kite Feb 21, 2009. 0 Replies

Comment Wall

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Comment by Deniz Kite on March 2, 2009 at 12:58pm
Visit the sick

Visit the sick and you will heal yourself.
The ill person may be a Sufi master,
And your kindness will be repaid in wisdom.
Even if the sick person is your enemy,
You will still benefit,
For kindness has the power to transform
Sworn enemies into firm friends.
And if there is no healing of bad feeling,
There certainly will be less ill will,
Because kindness is the greatest of all balms.

by Rumi, translated by Timothy Freke
Comment by Deniz Kite on March 2, 2009 at 12:50pm
Love and Imagination

Love and imagination are magicians
Who create an image of the Beloved in your mind
With which you share your secret intimate moments.
This apparition is made of nothing at al,
But from its mouth comes the question,
“Am I not your Loved One?”
and from you the soft reply”Yes.Yes.Yes.”

by Rumi, translated by Timothy Freke
Comment by Deniz Kite on March 2, 2009 at 12:47pm
The Universe

What if someone said to an embryo in the womb,
“Outside of your world of black nothing
is a miraculously ordered universe;
a vast Earth covered with tasty food;
mountains, oceans and plains,
fragrant orchards and fields full of crops;
a luminous sky beyond your reach,
with a sun, moonbeams, and uncountable stars;
and there are winds from south, north and west,
and gardens replete with sweet flowers
like a banquet at a wedding feast.

The wonders of this world are beyond description.
What are you doing living in a dark prison,
Drinking blood through that narrow tube?”
But the womb- world is all an embryo knows
And it would not be particularly impressed
By such amazing tales, saying dismissively:
“You’re crazy. That is all a deluded fantasy."

One day you will look back and laugh at yourself.
You’ll say, “ I can’t believe I was so asleep!
How did I ever forget the truth?
How ridiculous to believe that sadness and sickness
Are anything other than bad dreams.”

Rumi, translated by Timothy Freke
Comment by shakeel on February 28, 2009 at 8:23pm
COME TO ME.....

I am your lover

Come to my side

I will open

the gate to your love


Come settle with me

Let us be neighbors

to the stars


You have been hiding so long

aimlessly drifting

in the sea of my love


Even so

you have always been

connected to me

Concealed, revealed

in the known

in the unmanifest


I am Life itself


You have been a prisoner

of a little pond

I am the ocean

and its turbulent flood

Come merge with me

leave this world of ignorance


Be with me

I will open

the gate to your love

Rumi
Comment by shakeel on February 28, 2009 at 7:46pm
Thank you everyone who accepted my invitation to join this group.

And Thank You Deniz for creating this group
Comment by margo buccini on February 28, 2009 at 4:16pm
"Lovers don't meet somewhere. they are in each other all along".
This is sheer beautiful and affirmation of Oneness.
Thank you for opening this up
Comment by Deniz Kite on February 28, 2009 at 4:00pm
Translator Coleman Barks' versions of Jelaluddin Rumi have made the 13th-century Sufi the best-selling poet in America. Beliefnet talked with Barks recently about his latest collection, "Rumi: The Book of Love."

Your new collection refers to Rumi as "the ultimate poet of love." In your introduction, you say that the media and popular culture have lied to people about love. What are they saying that doesn't ring true?

I don't focus so much on the lies as on the truths that Rumi is trying to open for us. But there are ideas that are out there for sentimental reasons. There's the idea that you can take the personal into a deep love. Rumi says you really have to empty out to be in the state he calls love. It's akin to something like work. The lover and the worker are identical. It's rare that you have a love song in our culture that ends, as Rumi often does, in the admonition that you need to have a daily practice--something to remind you of the deepest part of your being which is beyond the emotions and beyond desire.

But there are all different stages of love, and Rumi affirms them all, no matter how shallow. All that emotion drawing together is from the movers, part of the action of the mystery.

Rumi says the way that lovers are brought together, and why one person is drawn to one person rather than to another, is God's sweetest secret. It's a total mystery. Rumi says that in the motion from romance to friendship [we reach] a deeper level of connection.

Maybe that's what the popular culture is lying about. There's this idea of romance-that ache of separation and longing-you find in Dr. Zhivago or Romeo and Juliet. Lovers are always in a rush in train stations. That ache of unsatisfied passion is celebrated, and has been, in Western culture since the 12th century.

In one poem, Rumi says "Fall in love in such a way that it frees you from any connecting." This is unusual and counterintuitive in terms of what we're brought up with.

People who are together just are each other; they don't feel the phone call angst. [In another poem, Rumi says] "Lovers don't meet somewhere, they're in each other all along.

." Love is an important part of all religions. Rumi's poems seem to break down the idea of organized religion and say that God is bigger than all that.

They seem to do that, for me. Other people see him as an Islamic poet, but I like to hear in him that which calls us beyond the boundaries that separate us.

So if Rumi were walking around today, where would he worship?

He might go to almost any church, I think.

Which religious figures pop up most in Rumi's poems? I've seen Muhammad, Moses, Joseph, Abraham...

Moses, yes. Jesus is very prominent. Some Sufis feel that the same energy that came through Jesus came through Rumi. His attention to the neglected, children, the beggars, the poor seems like a characteristic of Jesus, too.

Which sacred texts speak to you, and where do you see threads between specific verses and Rumi?

You can read the Mathnawi [Rumi's collection of poems] as a commentary on various texts of the Qur'an. It's certainly true that he does expand on the lines there-sometimes explicitly, sometimes without quoting the text. But I said in the introduction to [my earlier book] "The Soul of Rumi" that I disagree with the idea of sacred texts as a category. When the living descendant of the lineage of Rumi-his name was Jelaluddin Chelabi-visited Atlanta, he sat me down and said "What religion are you?" I just threw up my hands. He says, "Good. Love is the religion, and the universe is the book."

So everything is a kind of sacred text. The books that have been sacred texts to me are things like "Catcher in the Rye," because [when I read it in the 1950s] it felt so truthful. Walt Whitman, and even the raunchy love poems of e.e. cummings: they deepened my own sense of being. Cormac McCarthy is better than the epistles of Paul. James Agee is better than the Qur'an. I'll eventually be shot for these statements (laughs).

But I think each person has his own Bible. You make your own anthology of texts that have been sacred to you. They would also be memories, people you've met, people who have loved you, pets you've had. That would be your sacred book. Evidently, at the end, we'll get to have a life review and look at them all again, they say. My teacher, Bawa Muhaiyaddeen, says try to make your life as though it's a movie, and you and God are going to watch it. Try to make some parts that he'll like.

The mass market-the greeting card industry, etc.-has picked up a lot of your Rumi translations. Are there poems that are underappreciated or undiscovered?

Well, a poem like 'Clear Being' has that sort of Zen sense of emptiness and clarity:

I honor those who try
to rid themselves of lying,
who empty the self
and have only clear being there

The harsh, severe Rumi [poems] may be the ones that have been neglected. He does the sweetness so well that when he scolds us...

There's definitely great love and happiness in the poems, but sadness too.

Rumi says, "Try to be like a duck, with its joyful body paddling along in the loving water of the river. Just enjoy that" -that delight in buoyancy. There's a kind of happy ease.

But he says that grief is very important too. It's only someone who feels the disconnect, who's had some sense of being in this wholeness of holy, who has the longing to change and be somewhere different. He says "give me that longing." There's a mixture of fulfillment and grief. He doesn't neglect either one of these visions.

Another idea is thinking of all of creation as a garden, and watching it grow. We can't understand why all these things flourish and then die, but we can watch it and enjoy it. That's what a human being is. We don't know how or why--the purposes of our songs and dances-but they do have one, and we just can't say it. We're like that duck--we can just ride it. We're good at that.

Interview by Laura Sheahen
Comment by Deniz Kite on February 28, 2009 at 3:42pm
http://www.puremusic.com/coleman.html
Comment by LIORO (Liliana Osorio de Rosen) on February 28, 2009 at 3:37pm

Thank you. Lioro
Comment by LIORO (Liliana Osorio de Rosen) on February 28, 2009 at 2:01am

Love is Love
Love is we are one
LIORO
 

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