Hi Mary:
I was enjoying the music on your page. A pretty face and nice long hair. What a sight to behold in the morning. Like watching the sun come up.
Your eyes tell me you are a Loving soul.
Love, Rev. Tom
I JUST LOVE YOUR SITE KEEP UP THE GREAT WORK AND KEEP ON KICKING ASS . HAVE YOU EVER BEEN TO VANCOUVER CANADA , AS I HAVE BEEN TO SHIZUOKA JAPAN , VERY NICE PLACE I WISH I WAS THERE .
'' SIR JOHAN 111 ''
Estou sepultada em minha saudade... No vazio...Ecos do cair das minhas lágrimas! Elas apagam a única vida desta prisão de mim mesma! A chama da vela que aquecia o meu corpo Que aqui jaz...Sem você! Rosane Oliveira
Te quero e te lembro sempre I Love you and remember always Je t’aime ET rappeles-vous toujours Ti amo e ricordi sempre Ve istiyorum için her zaman unutmayin
Nós somos a geração de março
trazemos vendas nos passos
e fechaduras solitárias nos olhos
Nós somos a geração de agora
Não sabemos o dia em que estamos
a mercê de nossa demora
Nós somos a geração híbrida
(de laboratório)
Vivemos nos corredores
entre horários afiados
e o descanso das sepulturas
Nós somos a geração estúpida
Ficamos sempre em dívida
com a nossa dúvida
e não contestamos
Brigamos nas mesas dos bares
as boas notas tiradas
nas aulas de covardia
Nós somos a geração sem voz
Sem olhos
e sem história
Somos cordeiros dopados
Somos o consenso do medo
Somos o corte do grito
Somos o som do arbítrio
Somos o quadro-frio do "NÃO"
A gravidez prolongada
da exceção
Somos sócios da indiferença
Somos a chave da violência
Somos as peças dos tecnocratas
Somos as cordas da repressão
A partilha hereditária
da corrupção
Nós soms fabricados em série
nas escolas e universidades
e vendidos no mercado
ao preço da usura
Somos sim funcionários da tortura
frutos do absurdo
que são todas as ditaduras
Nós somos uma geração de culpados
e ainda seremos culpados
pela próxima geração
se consentirmos ser
enquanto trocam os termos
que a liberdade nunca ditou
se consentirmos estar
ao lado do corpo abatido
naturalmente
como o corpo abatido
Somos culpados em máxima culpa
porque maximizamos as desculpas
e minimizamos fazer!
Nós somos a geração castrada
comemos "pão-com-cocada"
"rotidoguicumustarda"
fumamos a "palha da braba"
cheiramos o "pó das estradas"
nas reuniões marrr giiii naaaaiiiisssss...
Nós somos a raiz do mal
o radical doente
mas
apesar em nós
essa loucura
somos de repente
A CURA!
A CURA!
A CURA!
(oxénte!)
O alicerce da vida começa com o Amor de Mãe, que constrói e nos dá força e nos renova em cada gesto de carinho. ♥ Feliz dia das Maes ♥
The foundation of the life starts with the Love of Mothe, who constructs and in the ones of the force and renews in them in each gesture of affection ♥ Happy Mothers Day ♥
M A...Thanks for your special lines and friendship!!
Let's keep'n touch through this channel of peace in order to give up some changes to our people for having a better planet.
Receive my best greetings of Peace & Light,
Manuel Eduardo :-))
P. D.: Beautiful picture, you really look like an Angel...
Love is always present, in the world, in nature, in us. What changes is our realisation of it.
Sending you a hearty smile from nature, dear angel.
love without end, Sandavala
The painting here represents an aspiring meditator who is following the path consisting of the stages of meditation that ends in the accomplishment of a calmly abiding mind and beginning of the practice of insight meditation. At the bottom we see the practitioner, who holds a rope in one hand and a hook in the other, chasing after an elephant led by a monkey. The elephant represents the meditator’s mind; a wild or untrained elephant can be dangerous and wreak enormous destruction, but once trained will obey and do hard work the same holds true for the mind. Any suffering that we have now is due to the mind being like a wild, untrained elephant. The elephant also has very big footp0rints; these symbolize the mental defilements. If we work at improving our minds. Inner peace will be the reward. From the suffering of the hells to the happiness of the Buddha’s, it is the mind’s activity that rises to them all.
At the start of the path the elephant is black, which represents dullness or sinking of the mind. The monkey leading the elephant represents distraction. A monkey cannot keep quiet for a moment- it is always chattering or fidgeting and finds everything attractive. Just as the monkey is in front leading the elephant, our attention is distracted by sensory objects of taste, touch, sound, smell and vision. These are symbolized by food, cloth, musical instruments, perfume and a mirror. The person behind the elephant represents the meditator trying to train the mind. The rope in the meditator’s hand is mindfulness and the hook is awareness. Using these two tools the meditator will try to tame and control his mind. Fire is shown at different points along the path to represent the energy necessary for concentration. Notice that the fire gradually decreases at each of the ten stages of calm abiding, as less energy is needed to concentrate. It will glare up again at eleventh stage, when we start practicing insight meditation.
In the beginning, just as the elephant following the monkey pays no attention to the person chasing after it, the practitioner has no control over his or her mind. In the second stage, the practitioner, who has almost caught up with elephant, is able to throw the rope around the elephant’s neck. It looks back; this is the third stage, where the mind can be restrained a little by mindfulness. Here a rabbit appears on the elephants back, symbolizing subtle dullness, which might earlier have seemed to be a state of concentration, but now can be recognized for the harmful factor that it is. In these early stages we have to use mindfulness more than awareness.
At the fourth stage the elephant mind is more obedient, so it is less necessary to restrain it with the rope of mindfulness. By the fifth stage the elephant is being led by the rope and hook and the monkey is following behind. At this point we are not much disturbed by distracted attention; mostly we have to use awareness instead of mindfulness. In the painting, the sixth stage of practice is depicted with the elephant and the monkey both following obediently behind the practitioner, who does not even have to look back at them. This means that the practitioner does not have to focus continually on controlling the mind and the absence of the rabbit shows that the subtle dullness which appeared at the third stage has now disappeared.
Upon reaching the seventh stage, the elephant can be left follow of its own accord and the monkey departs; the practitioner has no more use for the rope and hook-distracted attention and dullness occur only occasionally and mildly. At the eight stages the elephant has turned completely white and follows behind the practitioner; this shows that the mind is obedient and there is no sinking or scattering, although some energy is still needed to concentrate. At the ninth stage the practitioner can actually sit in meditation while the elephant sleeps peacefully nearby; at this point the mind can concentrate without effort for long period’s time- days, weeks or even months. The tenth stage, where we see the meditator sitting on top of elephant, signifies the real attainment of a calmly abiding mind. At the last, eleventh stage, the meditator is sitting on the elephant’s back holding a sword. At this point the practitioner begins a new kind of meditation called “higher vision” or insight meditation with which he seeks to realize the nature of reality.
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A Vision I had in a meditation from angels.
This is for you!
Rev. Tom
I was enjoying the music on your page. A pretty face and nice long hair. What a sight to behold in the morning. Like watching the sun come up.
Your eyes tell me you are a Loving soul.
Love, Rev. Tom
Love and Light,
Rev. Tom Stuart
I JUST LOVE YOUR SITE KEEP UP THE GREAT WORK AND KEEP ON KICKING ASS . HAVE YOU EVER BEEN TO VANCOUVER CANADA , AS I HAVE BEEN TO SHIZUOKA JAPAN , VERY NICE PLACE I WISH I WAS THERE .
'' SIR JOHAN 111 ''
I can’t find words to express how is big my Love.
You are the light of light and the heart of love.
Love You so much Friend
Eu não posso encontrar palavras
para expressar como é grande meu amor.
Você é a luz da luz e o coração do amor
Amo você muito amigo(a)
Good Week with affection
Estou sepultada
em minha saudade...
No vazio...Ecos do cair das
minhas lágrimas!
Elas apagam a única
vida desta prisão de mim mesma!
A chama da vela que
aquecia o meu corpo
Que aqui jaz...Sem você!
Rosane Oliveira
I Love you and remember always
Je t’aime ET rappeles-vous toujours
Ti amo e ricordi sempre
Ve istiyorum için her zaman unutmayin
(Quase um hino)
Nós somos a geração de março
trazemos vendas nos passos
e fechaduras solitárias nos olhos
Nós somos a geração de agora
Não sabemos o dia em que estamos
a mercê de nossa demora
Nós somos a geração híbrida
(de laboratório)
Vivemos nos corredores
entre horários afiados
e o descanso das sepulturas
Nós somos a geração estúpida
Ficamos sempre em dívida
com a nossa dúvida
e não contestamos
Brigamos nas mesas dos bares
as boas notas tiradas
nas aulas de covardia
Nós somos a geração sem voz
Sem olhos
e sem história
Somos cordeiros dopados
Somos o consenso do medo
Somos o corte do grito
Somos o som do arbítrio
Somos o quadro-frio do "NÃO"
A gravidez prolongada
da exceção
Somos sócios da indiferença
Somos a chave da violência
Somos as peças dos tecnocratas
Somos as cordas da repressão
A partilha hereditária
da corrupção
Nós soms fabricados em série
nas escolas e universidades
e vendidos no mercado
ao preço da usura
Somos sim funcionários da tortura
frutos do absurdo
que são todas as ditaduras
Nós somos uma geração de culpados
e ainda seremos culpados
pela próxima geração
se consentirmos ser
enquanto trocam os termos
que a liberdade nunca ditou
se consentirmos estar
ao lado do corpo abatido
naturalmente
como o corpo abatido
Somos culpados em máxima culpa
porque maximizamos as desculpas
e minimizamos fazer!
Nós somos a geração castrada
comemos "pão-com-cocada"
"rotidoguicumustarda"
fumamos a "palha da braba"
cheiramos o "pó das estradas"
nas reuniões marrr giiii naaaaiiiisssss...
Nós somos a raiz do mal
o radical doente
mas
apesar em nós
essa loucura
somos de repente
A CURA!
A CURA!
A CURA!
(oxénte!)
Geraldo Maia
beijo
;
Deus não pode estar em todos os lugares
e por isso fez as Mães.
God cannot be in all the places
and therefore he made the Mothers.
que constrói e nos dá força
e nos renova em cada gesto de carinho.
♥ Feliz dia das Maes ♥
who constructs and in the ones of the force
and renews in them in each gesture of affection
♥ Happy Mothers Day ♥
Feliz Dia das Maes com todo meu carinho
Happy Day of the Mothers with all my affection
Lindo Dia - Good day
Desculpa amigos talvez tenha que sair da Net,
mas levo a todos no meu coração
Sorry friends perhaps has that to leave the Net,
but I lead to all in my heart
Let's keep'n touch through this channel of peace in order to give up some changes to our people for having a better planet.
Receive my best greetings of Peace & Light,
Manuel Eduardo :-))
P. D.: Beautiful picture, you really look like an Angel...
Sending you a hearty smile from nature, dear angel.
love without end, Sandavala
Feliz Fds H. Weekend
Em cada um de nós há um segredo
uma paisagem interior
com planíceis invioláveis
vales de silêncio e paraísos secretos.
In each of us is a secret,
an interior landscape,
with inviolable plains,
valleys of silence and secret havens
The painting here represents an aspiring meditator who is following the path consisting of the stages of meditation that ends in the accomplishment of a calmly abiding mind and beginning of the practice of insight meditation. At the bottom we see the practitioner, who holds a rope in one hand and a hook in the other, chasing after an elephant led by a monkey. The elephant represents the meditator’s mind; a wild or untrained elephant can be dangerous and wreak enormous destruction, but once trained will obey and do hard work the same holds true for the mind. Any suffering that we have now is due to the mind being like a wild, untrained elephant. The elephant also has very big footp0rints; these symbolize the mental defilements. If we work at improving our minds. Inner peace will be the reward. From the suffering of the hells to the happiness of the Buddha’s, it is the mind’s activity that rises to them all.
At the start of the path the elephant is black, which represents dullness or sinking of the mind. The monkey leading the elephant represents distraction. A monkey cannot keep quiet for a moment- it is always chattering or fidgeting and finds everything attractive. Just as the monkey is in front leading the elephant, our attention is distracted by sensory objects of taste, touch, sound, smell and vision. These are symbolized by food, cloth, musical instruments, perfume and a mirror. The person behind the elephant represents the meditator trying to train the mind. The rope in the meditator’s hand is mindfulness and the hook is awareness. Using these two tools the meditator will try to tame and control his mind. Fire is shown at different points along the path to represent the energy necessary for concentration. Notice that the fire gradually decreases at each of the ten stages of calm abiding, as less energy is needed to concentrate. It will glare up again at eleventh stage, when we start practicing insight meditation.
In the beginning, just as the elephant following the monkey pays no attention to the person chasing after it, the practitioner has no control over his or her mind. In the second stage, the practitioner, who has almost caught up with elephant, is able to throw the rope around the elephant’s neck. It looks back; this is the third stage, where the mind can be restrained a little by mindfulness. Here a rabbit appears on the elephants back, symbolizing subtle dullness, which might earlier have seemed to be a state of concentration, but now can be recognized for the harmful factor that it is. In these early stages we have to use mindfulness more than awareness.
At the fourth stage the elephant mind is more obedient, so it is less necessary to restrain it with the rope of mindfulness. By the fifth stage the elephant is being led by the rope and hook and the monkey is following behind. At this point we are not much disturbed by distracted attention; mostly we have to use awareness instead of mindfulness. In the painting, the sixth stage of practice is depicted with the elephant and the monkey both following obediently behind the practitioner, who does not even have to look back at them. This means that the practitioner does not have to focus continually on controlling the mind and the absence of the rabbit shows that the subtle dullness which appeared at the third stage has now disappeared.
Upon reaching the seventh stage, the elephant can be left follow of its own accord and the monkey departs; the practitioner has no more use for the rope and hook-distracted attention and dullness occur only occasionally and mildly. At the eight stages the elephant has turned completely white and follows behind the practitioner; this shows that the mind is obedient and there is no sinking or scattering, although some energy is still needed to concentrate. At the ninth stage the practitioner can actually sit in meditation while the elephant sleeps peacefully nearby; at this point the mind can concentrate without effort for long period’s time- days, weeks or even months. The tenth stage, where we see the meditator sitting on top of elephant, signifies the real attainment of a calmly abiding mind. At the last, eleventh stage, the meditator is sitting on the elephant’s back holding a sword. At this point the practitioner begins a new kind of meditation called “higher vision” or insight meditation with which he seeks to realize the nature of reality.
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